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一个半世纪以来，MARTIN吉他公司一直被公认为是世界上最好的乐器公司。在传统的家族式的管理模式下，MARTIN吉他反映的是家族六个世代吉他制作的精湛工艺。

马丁公司的创始者ChristianFredrickMartin，1796年生于德国的易北河畔。父亲是木匠。在当时，吉它还没有被人们承认。其父因出售自制的手工吉它，得罪了当地的提琴制造商。（可能是当时的提琴制造者已形成了一个艺人阶层，而作为木匠的大马丁仅仅是平民的缘故。）于1807年，其父被勒令停业。

在掌握吉它制作的初步知识之后，小马丁来到音乐之都维也纳，成为制作小提琴及吉它的名匠──老约翰的入室弟子。（顺便提一句，舒伯特很喜欢用老约翰制作的提琴。）在维也纳结婚后，小马丁回到故乡，取得了正式的吉它制造的许可。为了摆脱干扰，后又移居到美国。因为最早的马丁吉它上有“EST.1833”的字样，所以人们普遍认为，他移居到美国的时间是1833年。

第二年（即1834年），在纽约哈得逊街6号，开办了他的第一家吉它店。但纽约处于急剧的城市化进程中，为了寻求更稳定的生活环境，于1839年，经友人推荐，又移居到宾西法尼亚州。他在这里生产的吉它，由JohnCooper执教的吉它教室替其销售。这一时期的作品与老约翰的酷似，比如，类似与Fender的单排卷弦器，可调节琴颈角度的调节器。从40到50年代，马丁主要致力于琴腔的内部设计。他在表板内侧添加了X型力木，这比以往的扇型设计更具强度。

在X型设计研究告一段落的1856年，一个姓Gibson的男孩在纽约出生了。当时的马丁吉它已基本上定型了。完成了这些伟大成就的马丁一世，于1873年，与世长辞，接任他的是外甥C.FMartinJr。因多病，马丁二世也于1888年83岁时去世，他的儿子Frenk.Henry.Martin继承了他们的遗愿。而比马丁一世晚大约60年之后的1894年，作为鞋店职员的Gibson才开始转向乐器制作。

马丁琴的型号，多是以罗马字或数字来表示。1850年生产的系列是用3，2-1/2，2，1这四种数字表示的。1854年，琴的尺寸开始统一。增添了0以及更低的5，4，3型号，1877年，才出现00型。直至不久前，我还认为0是与D对应的罗马字O，阅读了相关的书籍后，才知道应是数字0。

型号设定的过程是从1856年的17，20，23开始，至打印琴身号的1898年出现的五种型号（17，18，21，28，40）。1890年，琴桥也改进成以红木和象牙为材料的长方形。进入20世纪后的1904年，试制成功可以说是完美设计的45型，1904年，正式向外界推出0-45，00-45。采用钢弦的1920年，琴颈的材料由杉木改为红木，为了增加强度，还掺入适当乌木。34年，又试图加入T形铁（横截面为T形）。全世界都陷于战争的恐慌中，马丁在艰苦的环境下仍坚持着对钢弦的研究。由于钢弦的拉力强，对琴桥进行了改进，在原来长方形的基础上，中部又作了加宽。并在此时，喷漆也最终定型下来。同年，应班卓琴演奏家贝利.维可多的请求，制作了第一把14品的吉它。为了适合班卓演奏者的习惯，琴头是模仿班卓设计的，并比一般的吉它多出两品。也是在同年，对000型重新设计，并于33年制成了14品的OM（orchestralmodel）型。原000型的琴颈长度为632.5mm，而改造后的OM型为645.2mm。由于当时的生产数量很少，OM现已成为珍藏版。

也许，在时间的叙述上有些反复，但值得一提的是，1916年的一项产品对今日的吉它产生了重大影响。当时，马丁为纽约的一家琴行生产系列吉它，听取琴行的亨利的建议，开始为歌手专门设计大琴体的吉它。因为琴体前所未有的大，所以以英国战舰命名，被简称为D型。后生产出了以云杉、红木为琴身，12品的111，222，333型。但实际上，1931年，公司才开始生产马丁牌的12品琴，当时的D-1和D-2型即后来的D-18和D-28的前身。D型几乎已成为吉它的代名词，琴身的形状也成为了木吉它的标准。

在老的D-28型号中，有种被称为“海林波”（译音）的吉它过特殊处理。琴身边缘的内部经过专门的装饰。46年，“海林波”终止生产前后，D-28中又出现力木形装，里板加上中心线装饰等变化，受到顾客们的欢迎。

以马丁吉它为代表的老牌吉它，由于年代和式样的差别，在价格方面有很大差异。马丁吉它中，到69年为止，以巴西利亚玫瑰木为材料，型号在28以上的吉它，与70年之后，以印地安玫瑰木为材料的吉它，即使在相同的型号之间也存在着明显差异。巴西--为了保护国内的木材加工业，命令禁止原木的出口。因此，原本依*巴西原木的马丁公司不得不改用印地安玫瑰木。马丁产品中，68年再生产的D-45与生产到69年为止的D-41都是以巴西利亚玫瑰木为材料，但生产期很短，生产数量也极为有限（D-45大约230把，D-41大约50把）。到69年为止，停止生产的还有D-35、D-28、D-21等。

40年代的D-28在战后生产数量减少，并加之以式样上的细小变更，现在，仍保留有各种样式。42年，使用被称为“sloteddiamond”的商标和后开放式卷弦器。44年，由于使用高强度弦的人数增多，用现在的内部设计生产了12把班卓琴。45年，商标变成圆形设计。46年，演变成现在的样子。

在多姿多彩的历史发展过程中，MARTIN公司成功的适应了产品设计，推广及制造方法的改进与变革。尽管经历了许多变革，C.F.MARTIN从未改变对商品质量的最初承诺。

For a century and a half, Martin guitar company has been recognized as the best musical instrument company in the world. In the traditional family style management mode, Martin guitar reflects the exquisite craftsmanship of six generations of guitar production. Christian Fredrick Martin, founder of Martin company, was born in 1796 on the Elbe River in Germany. Father is a carpenter. At the time, the guitar was not recognized. His father offended the local violin manufacturer by selling his own handmade guitar. (it may be that the Viola makers at that time had formed an artist class, but as a carpenter, big Martin was only for the common people's sake.) In 1807, his father was ordered to close down. After mastering the preliminary knowledge of guitar making, little Martin came to Vienna, the capital of music, and became the entry disciple of old John, the famous craftsman of Violin and guitar making. By the way, Schubert likes the violin made by old John very much After his marriage in Vienna, Martin returned to his hometown and obtained the formal permission to make guitar. In order to get rid of the interference, he moved to the United States. Because the earliest Martin guitar had the word "est. 1833", it was generally believed that the time when he moved to the United States was 1833. The next year (1834), he opened his first guitar shop at 6 Hudson Street, New York. But New York is in the process of rapid urbanization. In order to find a more stable living environment, in 1839, New York moved to Pennsylvania after being recommended by friends. The guitar he produces here is sold by the guitar classroom taught by John Cooper. The works of this period are similar to those of old John. For example, they are similar to fender's single string winding device, which can adjust the angle of the neck. From the 1940s to the 1950s, Martin focused on the interior design of the piano cavity. He added X-beam to the inside of the panel, which is more powerful than the previous fan design. In 1856, the end of the x-design study, a boy named Gibson was born in New York. At that time, Martin guitar was basically shaped. Martin I, who accomplished these great achievements, died in 1873. He was succeeded by his nephew, C. fmartinjr. Because of his illness, Martin II died in 1888 at the age of 83. His son, Frank Henry Martin, inherited their wishes. In 1894, about 60 years later than Martin I, Gibson, a shoemaker, began to make musical instruments. The model of Ma Dingqin is mostly represented by Rome characters or numbers. The series produced in 1850 are represented by four numbers: 3, 2-1 / 2, 2, 1. In 1854, the size of the piano began to be unified. Added 0 and lower 5, 4, 3 models. In 1877, the 00 model appeared. Not long ago, I thought 0 was the Roman word o corresponding to D. after reading related books, I knew that it should be the number 0. The process of model setting is from 17, 20, 23 in 1856 to five models (17, 18, 21, 28, 40) that appeared in 1898 when the body number was printed. In 1890, the bridge was also transformed into a rectangle made of mahogany and ivory. In 1904, after entering the 20th century, the successful trial production can be said to be the perfect 45 type design. In 1904, 0-45, 00-45 were officially launched to the outside world. In 1920 when the steel string was used, the material of the neck was changed from fir to mahogany. In order to increase the strength, appropriate ebony was added. In 34, another attempt was made to add T-shaped iron (with a cross-section of T-shaped). The whole world is in the panic of war, Martin still insists on the research of steel string in the tough environment. Because of the strong tension of the steel string, the bridge is improved. On the basis of the original rectangle, the middle part is widened. And at this time, the painting is finally finalized. In the same year, at the request of banjo player Bailey Victor, the first guitar of 14 pieces was made. In order to adapt to banjo players' habits, the head is designed by imitating banjo, and there are two more pieces than the general guitar. In the same year, we redesigned the model 000 and made 14 products of OM (orchestralmodel) in 33. The neck length of the original 000 type is 632.5mm, while that of the modified om type is 645.2mm. Due to the small amount of production at that time, OM has now become a collector's edition. There may be some repetition in the narration of time, but it is worth mentioning that a product of 1916 has a significant impact on today's guitar. At that time, Martin produced a series of guitars for a New York piano company, listened to Henry's advice and began to design guitars for singers. Because of the unprecedented size of the piano, it is named after the British warship, which is called D-type for short. Later generations produced 111222333 types with spruce and Redwood as the body and 12 grades. But in fact, in 1931, the company began to produce Martin brand 12 piano. At that time, the D-1 and D-2 models were the predecessor of the later d-18 and D-28. Type D has almost become the synonym of guitar, and the shape of the body has become the standard of wooden guitar. In the old D-28 model, there was a special handling of guitar called hailingbo. The interior of the edge of the body is specially decorated. In the year of 46, before and after the termination of hailingbo's production, the D-28 was again decorated in the shape of strong wood, and the inner plate plus the central line decoration and other changes were welcomed by customers. The old brand guitar represented by Martin guitar has great difference in price due to the difference in age and style. Among Martin's guitars, until 69, there were obvious differences between those made of Brasilia rosewood and those made of Indian rosewood after 70 years. Brazil - in order to protect the domestic wood processing industry, the export of logs is banned. As a result, Martin company, originally based in Brazil, had to use Indian rosewood instead. Among Martin's products, the d-45 reproduced in 68 years and the d-41 produced until 69 years are made of Brasilia rosewood, but the production period is very short and the production quantity is very limited (about 230 d-45 and 50 d-41). Up to 69 years ago, D-35, D-28, d-21 and so on were also stopped. In the 1940s, D-28 production decreased after the war, and with small changes in style, there are still various styles. In 42, it used a trademark known as "sliteddiamond" and a post open coil. In 44, due to the increase in the number of people using high-strength strings, 12 banjo were produced with the current interior design. In 45, the logo became a circular design. 46 years, it's what it is now. In the process of colorful historical development, Martin company has successfully adapted to product design, promotion and improvement and change of manufacturing methods. Despite many changes, c.f.martin never changed its original commitment to product quality.

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